Overall she’s excellent & ready to be enjoyed by its next caretaker. Fender Jazz Bass 1966 Lake Placid Blue 1966 - Fender - Jazz Bass. Fawn Creek Township is in Montgomery County. Fresh from Mel’s private collection as its been on display mostly never leaving his music room for any gigs. Fawn Creek Township is located in Kansas with a population of 1,618. 1961 Fender Brown Princeton amp Jimmys Vintage Music Home / Amps / Fender / 1961 Fender Brown Princeton amp 1961 Fender Brown Princeton amp 2,999.00 Category: Fender Description Description Speaker changed but period correct. It appears completely original & works quite well being serviced recently at the Amp Shop in W. Which, considering a speaker’s impedance varies with frequency and the 2.67-ohm figure would be the minimum impedance at about 125 hertz, it’s indeed close enough. Leo used four ohms as ‘close enough’, Grabien said. This is the perfect amp for any studio work & light enough to move between gigs. According to Grabien, Fender never used a 2.67-ohm OT in the Bandmaster. Its cabinet is untouched loaded with 2 matching D912 12″ speakers dated to 1966 still sporting its original fiberglass stuffing. It has a date code of “QA” on its original Tube Chart inside the head which is for January 1967. Courtenay’s journey began during the Psychedelic era where vibrant colors and a free spirit were combined to create fun and whimsical clothing and dynamic art. It also includes its original silver sparkle grill cloth set w/its raised Fender logos still in place. What’s so cool about this amp set is its previous caretaker, Mel Grant, commissioned “Courtenay Tie Dye” who developed a tie dye style and folding technique which he called ‘Geometriart’ & became widely known for the many tie dye t-shirts, mandalas, speaker fronts and backdrops he created for ‘ The Grateful Dead’ and he became most remembered for his stage pieces. Its Black Face panel states “Fender Musical Instruments”. Fender, Bandmaster are registered or common law trademarks of the Fender Musical Instruments Corp. Its Black tolex on both its head & 2×12″ cabinet are super tidy. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.This is a totally GROOVY 1967 Fender Bandmaster Piggyback Amp set in very clean all original shape for that Grateful Dead collector. This is owing to that infamous AB763 circuit that the collectors and players seek. The tone here is absolutely huge yet still articulate. This is a very special Bandmaster example- Blackface with the AB763 circuit. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. This Bandmaster was made by Fender using both 19 parts. A classic Fender piggy-back amp This amp sounds excellent and is in good condition showing mild to. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price).
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